Addison Groove – Sooperlooper

As much removed as any current hit from Skrillex is from foundational dubstep landmarks like Skream‘s “Midnight Request Line,” so too are the latest manifestations from a long list of dubstep’s pioneers. Many of the veterans that helped to shape that spatial and hypnotic sound are returning to the experimentation stages and developing something new once again. Take for instance the sounds of Addison Groove, the project of dubstep DJ and producer Headhunter. Those Headhunter tracks stretched back into drum & bass, but Addison Groove’s latest branches are often influenced by Chicago ghetto house, though he adapts it with his own functionality for today’s dancefloor. Headhunter’s Tempa classic “Sleepwalker” should server as a nice contrast to any of the tracks on Addison Groove’s latest full-length album, Transistor Rhythm.


KO KO – Float (Sound Remedy Remix)

Indie music and dubstep.. almost as good of a combination as Jameson Whiskey and Ginger Ale… it just works so well. This latest remix from Sound Remedy takes on a new indie group KO KO and blasts their track “Float” full of smooth catchy dubstep. This is a perfect summer anthem. Turn it up, leave it on repeat, enjoy!

KO KO – Float (Sound Remedy Remix) | Direct Download

Stay Updated On Sound Remedy by liking him on Facebook


Beam Me Up – CAZZETTE

Believe it or not, I think Cazzette has actually managed to strike equilibrium with traditional (I use that term loosely) house music and dubstep. Personally, I think dubstep is the lovechild of rebellious 90s punk and electro. I’m not a fan of dub, and I never will be, but that does not mean its “bad” music or “distasteful”. It just harbors itself in a different place within EDM. However, Cazzette believes their track “Beam Me Up” may just be the answer, the bridge, and just right amount of each ingredient (not a mouthful of wobble) to close the gap between dub and house. I concur.


DJ Hazard – Machete (Nostalgia Kills the Badguy Bootleg)

Nostalgia uploaded the preview of this dirty track about a month ago, since then I have been dying for its release. Just tonight he put it up for free download…awesome. This track is pretty dirty, Nostalgia has released a few freebies this year all reflecting the same. Not a bad track to close out the weekend to for a dubstep lover.

CLICK HERE FOR DOWNLOAD


Maya Jane Coles – Not Listening (DJ Kicks Exclusive Track)

Maya Jane Coles is the queen of the underground, and no one will argue that. She has recently put out a mix entitled “DJ Kicks” and it showcases Maya moving away from the housey sound that she has embodied, and becoming more diverse and experimental. This track is a track that is exclusive to the mix, and it is absolutely brilliant. Take a listen to this tasteful record that uses amazing vocals and slight traces of dubstep wobbles.


Ephixa & Stephen Walking – Substance VIP

Now I have posted about many lesser well known artists. Some of them include Arion, Notixx, and now two other artists who are making huge tracks. Ephixa & Stephen Walking two of the most prominent artists on the Monstercat label have experience in a range of dance music genres. Ephixa has done trance, hard trance, hardstyle, electro, and dubstep tracks. In my opinion the less versatile but just as good Stephen Walking who mainly does dubstep tracks. Now how awesome would it be to have these to awesome producers together? Well, its amazing and its Substance VIP the VIP mix of there collaboration song Substance.


Theophilus London – Last Name London (Brodinski Remix)

Brodinski takes one of underground hiphop’s biggest sensation at the moment, Theophilus London, and lathers a heavy helping of Bromance all over it. He even works in a couple dubstep sections in the track which is quite refreshing considering we haven’t really heard anything like this from Brodinski yet. I wouldn’t mind hearing some more dubstep from Brodinski considering dubstep needs a major face lift.


Free n Losh – Meanwhile, In The Batcave… (Original Mix)

Over the last couple of years, there have been fewer concentrated scenes than Toronto’s to really produce a fresh crop of talent.  Between Zeds Dead and The Killabits, the scene is gaining real credibility in the EDM world.  With that said, Free N Losh is a young upstart duo from Toronto that has started to really find their sound.  Their recently released and appropriately named mixtape, M.V.P (Most Versatile Producers) showcases their wide range of influences and sounds.  They produce hip-hop, dubstep, and house.  One of their tracks Got You was even picked up by Pittsburgh’s Mac Miller.  The point is, these kids have the chops to make it.

Their track, Meanwhile, In The Batcave… is the duo’s fresh hand at their unique blend of Nu-Disco, electro, and dubstep.  The piano driven melodies, discoteque leads, and heavy electro-fused basslines make this quite the track.  Add in the dubstep-esque breakdown in the last third of the track, and you have the makings of a party-starter.  The song’s pop/disco flavor is complemented well with the fat synths, but most of all, it is the mastering (they handled it themselves) and production value of this track that make it stand out to me.  Disco is making a comeback.


Albin Myers – Bumbaclot (Original Mix)

Albin Myers does a great job of creating his own sound. It’s not quite dubstep, you can’t pin it down to electro, nor can it be classified as typical progressive. We like to call it — dynamic house. A blend of all three of the most prominent forms of house music today. Albin is currently being repped by the likes of Avicii and John Dahlback, he has been thrust into the scene with his remix of “Fade Into Darkness” and his original production of “Hells Bells.” Versatility is a talent within itself — needless to say — Albin qualifies as versatile.


Bassnectar – VaVa Voom (Album)

It’s been less than a year since his last album, but he couldn’t wait to unleash a whole new batch.  It’s been said that Bassnectar has adjusted his sound to fit a more party-ready, mainstream sound in an effort to win fans, but we don’t think that is the case.  Lorin Ashton, the man behind Bassnectar, still brings his own unique form of bass music only now fans are catching on in throngs.  His brand of “omnitempo maximalism” is really on display here with his new album, Va Va Voom, a blend of dubstep, glitch-hop, drumstep, and even some hip-hop.  Released on his own label, Amorphous Records, this album is straight heat.

Between drumstep/dubstep standouts like the single, Ugly (ft. Amp Live), or his ska-punk tribute Pennywise Tribute, or even his dubstep banger, Ping Pong this album is a must get for bass music fans.  On the one hand the album is jam-packed with energy and thunder, and on the other is complemented by smoother, rich tracks like Butterfly (ft. Mimi Page).  Ashton has even included a 2012 update to his Mesmerizing The Ultra/Diverse Systems of Throb track, Laughter Crescendo.The album features collabs with producers and artists like Amp Live, ill.Gates, Jantsen, Lupe Fiasco, and Mimi Page, but it is still most definitely that sweet sweet nectar we all love.  This album is a MUST GET and it’s packed with awesome tracks, end to end.  The Nectar just finished a show with Skrillex in Argentina and Brazil, but is about to come back home to North America and embark on his spring 2012 Va Va Voom Tour.  This album is show-ready and he knows how to really perform, so if you have any chance of seeing him, GET ON IT.  There are few artists who can make such a distinct crisp sound that melds as many genres and still make sound amazing, and Bassnectar is that guy.  If you like the tracks, support the artist and buy it when it drops on Tuesday!

Check out his Official Site for deluxe deals, the album, and tour dates.